Listen to me
“Parejo performed Glazunov’s Chant du Menestrel, original for cello and orchestra, arranged for saxophone and piano by the same winner, and Debussy’s Rhapsody for saxophone and orchestra, adapted for saxophone and piano. The first is a delightful, sad work and cinematic, perfect for a cloudy and dark day like Tuesday, the second is fast-paced, full of energy and contrasts. The saxophonist showed great mastery of the instrument when adapting the volumes and the sound of the piano with an excellent phrasing . “PART OF THE PAU REQUENA REVIEW FOR THE “NÚVOL” MAGAZINE OF THE CONCERT HELD IN SALA 4 OF L’AUDITORI, BARCELONA, ON OCTOBER 20, 2020.
“Parejo had her own opportunity to shine later on, delivering an enthralling lengthy solo, full of fluttering, that culminated in an incredible sequence played into a bowl of water, producing a delicious and weirdly poignant sequence of sonically inscrutable bubbles.”PART OF THE REVIEW BY S. CUMMINGS IN THE MAGAZINE “5:4” ON THE PREMIERE OF THE CONTEMPORARY OPERA HOR BY LUIS TABUENCA AT THE FORUM WALLIS (SWITZERLAND). WHICH TOOK PLACE FROM 6 TO 10 JUNE, 2019.
Escena I – Ana Parejo [TEASER].
Teaser of my composition for soprano saxophone and tape entitled Escena I.